Personality inscribed in the geometry of a random modern space. The walls in the paintings are in a leading role – they squeeze, guide the character and determine his condition and movement or lack of movement.
Frame. Cell. The principal. The dogma. Here, the restriction of formalization is not only for the characters on the paintings, but also for the author – the artist sticks to the same color in the whole series, she fundamentally and consciously pushes herself into the «same color» frame in order to become on a par with her characters and the audience as well. The pressure to be shared. This collaboration-within-pressure between viewer, author and the hero of each painting – opens the door between external and internal, between real and fictions, and gives the way to co-creativity.
The hero who crumbles. For parts. Starting with the classic figurative, it goes, from painting to painting, to the destruction of human form, leaving only shadows and contrasts. The frames might stay, weither they architectural, social, oppressing whatsoever, but they do not determinate personality and his\her own freedom.BACK